First edition | The Seder Table

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First Edition features new original works by Northern California Jewish writers. Appearing the first issue of each month, it includes a poem and an excerpt from a novel or short story.

by ilana debare

Normally she would be thrilled to have the twins flying home at the last minute for seder, but this year Robin wanted to bar the door. She reached for the big silver platter that had been in her family since the 1800s and attacked it with her square of chamois like a siege army. She didn’t want Jen and Maia leaving school, a vicious reminder of all that was wrong, like her friends’ solicitous phone calls asking if they could make the matzah balls this year, or the fatigue that set in around noon, or the goddamned bald head in the mirror.

Robin set the big silver platter aside, shiny as a new morning, and reached for the ceramic seder plate. It was a junky piece of kitsch, but it was her kitsch. She’d bought it in the Old City on her junior year abroad and used it every Passover since then. It had been through ramshackle seders on the living room floor in group households when she was single, seders that careened on fast-forward when everyone had squirming toddlers, decades of seders in which friends arrived with new husbands and then no husbands and then second husbands.

Robin was wiping down the plate when her cell rang. Dan. Checking in on her, no doubt. Which was sweet and considerate and loving and made her even more furious.

“Everything’s fine,” she answered curtly. “I’m doing the platters.”

“Well, hi-it’s-nice-to-hear-from-you too.”

“I’m sorry. I’ve just got my hands full. I can’t talk now.”

“No prob. How are you feeling?”

“Fine.”

“Tired?”

“No.”

“Do you want —”

“I said I was fine. Look, sweetie, just get the girls at the airport, okay?”

When she reached to return the phone to her purse, a wave of exhaustion nearly brought her to her knees. Pacing. She had learned to pace herself in this new, hopefully-temporary metabolism. In past years, she tore through seder preparations in three intense days. Now, like a taffy pull without the sweetness, Robin had stretched those three days of work into a week. She had graciously agreed to let friends make the desserts and the charoset; she had even condescended to order the gefilte fish from a deli. All she had to do today — all — was polish the silver and glassware. Of course she could handle that.

After a nap.

It was four in the afternoon when Robin woke. She had never been a napper, and she planned on rejoining the ranks of the joyously, obliviously non-napping sometime soon. This round of chemo was working. The doctors were uniformly encouraging. Next Passover she would make the gefilte fish again. To hell with “next year in Jerusalem”; next year in normalcy would be just fine with her.

Robin reached for some crystal wine glasses that had belonged to her mother. Like everything else, they were dusty. She grasped multiple stems in each hand, like squawking chickens held upside-down by their feet, and padded toward the sink. And then it happened — who knew why, just a click of the front door like any other day, Dan arriving with the girls, but it spooked her and she twitched and the flock of crystal chickens flew out of her hands and smashed on the floor. 

My mother’s crystal; what will she say? she thought, and then She can’t say anything, she’s been dead for 15 years, and then At least it wasn’t my seder plate and then Oh God, why do they have to see me this way because tears were running down her face and she had slumped onto the floor amidst the shattered glass.

“Mom!” called Jen, and they were suddenly around her, hugging her, so eager to make it all right. But it would not be all right, Robin knew, even if the chemo worked and her hair grew back and the gefilte fish swam back to her stove. If not this, it would be something else — the stroke that took her mother, the “female problems” that took her grandmother. It felt like only yesterday that she was triumphantly bargaining a few shekels off the price of an already-dirt-cheap seder plate, yesterday that she was inhaling sweet talcum powder from plump baby bodies. But the girls were grown; their childhood was gone; her own youth was even longer gone; and now her mother’s crystal was gone too. It was just a matter of time until all that remained of their cherished lives would be brittle heirlooms on someone else’s seder table.

photo/mariana debare

Robin reached one arm around each girl. “Careful,” she managed to say. “The glass. Don’t cut yourself.” But what she was thinking was: We are always leaving Egypt, Pharoah’s chariots are always at our heels, and there will never be enough time for the matzah to rise.    

 

Ilana DeBare of Oakland is the J. fiction editor. A former newspaper reporter, she manages communications for Golden Gate Audubon Society and is working on a novel.

Ilana DeBare

Ilana DeBare, a former board member of J., is working on a novel. She lives in Oakland.